In this case, Calzolari reports salt, sulfur and tobacco on a thick gray cardboard. These fills have a curvilinear trend and some are discontinuous. The work is completed by a large stain of salt at the bottom left and some pencil marks that seem to delimit the field of intervention of the fills. The work is signed on the bottom right in thin pencil and therefore not clearly legible in the photo. Like all cardboard, the additions of salt, tobacco and sulfur are stabilized so there is no fear of their decay over time.