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Giorgio Griffa

Tre linee con arabesco (Three lines with Arabesque 1463)

Year : 1994

Dimensions : cm 80x90

Technique : acrylic on canvas

Archive : archivio Giorgio Griffa n°94005

Publishings : Pittura analitica 1970s, Mazzoleni London

Exhibitions : Pittura analitica 1970s, maggio – luglio 2016, Mazzoleni London

Authentication : authentication on photo by Giorgio Griffa

Short Review

This "Three Lines with Arabesque" by Giorgio Griffa is a work unusually full of signs. The three lines, blue, are drawn at the bottom starting from the left and under these lines is painted the Arabesque. The number 1463, in red, is painted in the upper right. Also at the top we find circular lines and outlines between these lines. Under these outlines are painted signs resembling x.  The fullness of the canvas, the bright colors of the signs, red, orange, magenta, light blue, and the lines denote a day of good humor, convey joy, desire to live, even if the unknowns, the "X", are many. It is an invitation to taste the present and to plan with confidence for the future.

Tags: Giorgio Griffa - Arabesque

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Giorgio Griffa

Works for sale

Tre linee con arabesco (Three lines with Arabesque 1463) - Senza titolo

Senza titolo

Year : 1975

Dimensions : cm 50,5x48,5

Technique : acrilico su cotone

Authentication : autentica di Giorgio Griffa su foto

Tre linee con arabesco (Three lines with Arabesque 1463) - Archiblu (Archiblu)

Archiblu (Archiblu)

Year : 2007

Dimensions : cm 70x98

Technique : acrylic on canvas

Authentication : authenication on photo by Giorgio Griffa

Tre linee con arabesco (Three lines with Arabesque 1463) - Due linee rosse (Two red lines)

Due linee rosse (Two red lines)

Year : 1987

Dimensions : cm 65x114

Technique : acrylic on jute

Authentication : authentication on photo by Giorgio Griffa

Tre linee con arabesco (Three lines with Arabesque 1463) - Campo giallo (Yellow field)

Campo giallo (Yellow field)

Year : 1988

Dimensions : cm 87x83

Technique : acrylic on canvas (flap)

Authentication : authentication on photo by Giorgio Griffa

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